cjgren:

Cowbuttcrunchies is helping me with my corset. They can both fit their bodies in my fucking chest area.

Yep.

jaimons-le-bon-vin:

Nothing is completely done and it’s obviously missing a few key elements, but things are certainly coming together nicely

I AM GETTING REALLY FUCKING EXCITED FOR THIS GROUP.

yoccu:

Dolorosa, Mother of Sorrows

posted 13 hours ago 11246 Notes || Reblog

shortcakeliz:

i was listening to this song :Safe and Sound by Megan Nicole & Tiffany Alvord

and it just made me draw this 

(via vintage-aerith)

vintage-aerith:

ceriene:

See, look at this. She’s fine. Fine and huge and hungry as ever.

Spidermom | Photography ● Katsucon 19

oh hey it’s my kismesis being a fucking goddess on my dash, please get on my blog

posted 1 day ago 6768 Notes || Reblog

morgan1yam:

Kankri: As the Seer 9f 6l99d, I have seen s9 much red. S9 much 9f it, that everything seems that c9l9r n9w.

All 6ut 9ne thing.

(via roboticghoststories)

posted 2 days ago 4419 Notes || Reblog

hhhhammy:

always-procrastinating:

You sure are

hello once again sufferer tags

you seem to be lacking scrufferer again

BABY

posted 2 days ago 1278 Notes || Reblog

grimsperation:

Michele Caragher 

Embroidered details in Game of Thrones 

‘Michele Carragher is a London-based Hand Embroiderer and Illustrator who has been working in costume on film and television productions for over 15 years. She studied Fashion Design at The London College of Fashion, where the course incorporated design, pattern cutting, garment construction, embroidery, millinery and illustration. At the same time she attended a three year evening course in Saddlery at Cordwainers College learning skills in leatherwork.

After leaving college Michele worked in Textile Conservation, repairing and restoring historical textiles for private collectors and museums, specialising in hand embroidery. She then moved into a career in costume for film and television, initially working as a Costume Assistant/Maker on productions such as the BBC’s Our Mutual Friend, ITV’s David Copperfield and Mansfield Park. She soon gravitated towards the decoration and embellishment of costumes, using skills in hand embroidery and surface decoration, taking inspiration from the many historical textiles she had encountered working as a Textile Conservator. 

The first production that saw her undertake the role of a Principal Costume Embroiderer was for HBO’s 2005 Emmy Costume award-winning production of Elizabeth 1. Her most recent work has been on HBO’s 2012 Costume award-winning television series Game of Thrones, working on all three seasons.

As a Costume Embroiderer Michele specialises in hand embroidery and surface embellishment, using traditional hand embroidery techniques, smocking, beading and surface decoration. She works directly onto the completed garment or starts with motifs and textures on silk crepeline/organza, which are applied to the costume and then worked into once on the actual garment. She also works on existing machine embroidery designs that are not too dense, adding some hand stitching and beading to give a more authentic, hand-finished look.

Michele finds hand embroidery has more flexibility and diversity than that of embroidery created by machine, as there is a greater variety of thread choice and colours to use. It is also possible to work more easily on garments that are already constructed. However, machine embroidery in combination with hand work can be very useful when completing many repeats by creating light outlines or a less dense machine stitch, work can then be completed by hand and again can be carried out on a finished garment.

Michele is a highly creative Costume Embroiderer, producing original designs as well as working closely to a costume designer’s brief to create their desired look.’

Text and images from  http://www.michelecarragherembroidery.com

(via roachpatrol)

posted 2 days ago 6306 Notes || Reblog

foenixfyre:

Sewing the trim on the wedding bodice. I’ve decided that this photo doesn’t count and doesn’t spoil gown expectations.

I cheaped a bit on materials and time and bought a few yards of pearl trim to stitch on, instead of sewing loose pearl beads.

Omfg loose pearls what NOOO.  Those look good!

Oh gosh how does that even make sense….. A cascade ruffle will basically give you something like this: ebridalgowns.ca/3679-81…
Oh yeah I think that’s exactly what I want actually! :D  Thank you!

Mean like cascade ruffles? If you cut the fabric in a spiral and then sew the inside curve to the edge if the garment that should give it the look you want! Sorry if that’s not very helpful. @~@;;
Oh, maybe!  I’m actually not really sure of the word for it - I  basically need a regular ruffle that hangs downward normally but is attached on a vertical or sloping line, like here. (this picture doesn’t even make any sense since they look like a bunch of ruffles on top of each other anyway, but the cosplay shots I’ve seen of it sewn that way look a little silly imo)  I tried circle ruffles but because the piece is so thin it’s not really ruffling at all, and a straight up gather is ruffling so much it’s sticking out stiff instead of falling downward.  I haven’t tried spiral yet though - I’ll give that a shot! :)
BLOOBLOOHOO POOR YOU
FUCK YOU ILAAAAAA

>Tries googling how to pattern vertical ruffles for Kyoko because I can’t figure it out

>My cosplay tumblr is the first hit


NOT HELPFUL, GOOGLE.

snowchildhero:

The Homestucks have made me their Queen!

YOU GET EM GURLLLLL

posted 1 week ago 120 Notes || Reblog

tyronniesaur:

What Are You Doing

(via generictripe)

posted 1 week ago 10039 Notes || Reblog

vantasticmess:

capriciousgentleman:

Finally, a good friend whos not dead.

I want them to meet aaaah

*screeech*

posted 1 week ago 1352 Notes || Reblog